With over a decade of experience in the tech landscape as a software developer and entrepreneur, Jongnic Bontemps has an intimate knowledge of the marriage of music and tech, especially in today’s music industry. Jongnic has made a name for himself as a prolific and sought-after film composer, scoring for features, documentaries, shorts, VR, video games and more. His music is featured in the blockbuster hit movie “Creed II” as well as The New York Times and Tribeca favorite documentary “United Skates,” Sundance selection “Leimert Park,” and others. In this episode, Jongnic walks us through his music career trajectory, from Yale to Silicon Valley, USC’s film scoring program and Sundance Film Music Lab, and also discusses the unique perspective and innovative opportunities his tech and software experience have provided him in his successful career. He shares his valuable insight and experience in film scoring, music production, supporting your art and music entrepreneurship, as well as the importance of creating long-lasting relationships in the music business.
Astrid Baumgardner has dedicated her career to empowering and inspiring musicians (and all creatives!) to be their best selves, not only as artists but as successful entrepreneurs. During this music jobs episode Astrid walks us through her musical beginnings as a talented pianist, pursuing law and working as a lawyer in New York City, what convinced her to become a life coach, and joining the faculty at the prestigious Yale School of Music to work with all music students to create successful post-graduate music careers. Her emphasis of thinking and behaving like an innovator and an entrepreneur is suitable and essential for any artist who is looking to grow beyond the conventional career paths in order to reach untapped markets and new audiences.
**CORRECTION** – During the podcast, it was erroneously stated that Astrid Baumgardner works only with new music composers at the Yale School of Music. Astrid actually works with singers, pianists, guitar players and all of the orchestral musicians at the school, in addition to the composers. We apologize for the error.